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Ffilm Cymru’s outgoing CEO Pauline Burt on decentralising UK film: “We’ve got quite a way to go” 6l5z5k
The Welsh film agency s films such as ‘Chuck Chuck Baby’ with approximately £5m a year.
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Ryusuke Hamaguchi talks ‘Evil Does Not Exist’: “It felt like shooting a film for the first time” 381t6b
The Japanese filmmaker talks making his new film, which premieres in Competition at Venice.
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How lockdown isolation helped UK director Moin Hussain rediscover his Venice sci-fi ‘Sky Peals’ 28g5j
“I had a lovely year where things were going quickly and then. lockdown, ” says the UK director.
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My Screen Life: Zentropa’s Louise Vesth on having a messy desk, her email tip, and why she works with young people 1q5z53
Vesth also recalls a controversial press conference with Lars von Trier.
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Guy Nattiv and Zar Amir on ‘Tatami’, the first movie co-directed by Israeli and Iranian filmmakers 38611r
Political sports thriller premieres in Horizon’s section at Venice Film Festival.
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Emmys spotlight: ‘Ted Lasso’ director Declan Lowney talks timing, playing for laughs and why he preps for weeks 6g4922
The Irish director, famed for Father Ted, has received his third Emmy nomination for Ted Lasso.
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“The labour of women is valued so little,” says co-director of Edinburgh event ‘The Lynda Myles Project’ 441rt
Susan Kemp has undertaken the two-film ’The Lynda Myles Project’ with Mark Cousins.
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Sudabeh Mortezai on her Sarajevo world premiere ‘Europa’: “There is this arrogant, Eurocentric view of the world” q4z5z
Iranian-Austrian director returns to competition in Sarajevo with her third feature.
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Christina Ioakeimidi talks capturing the feeling of first love in her Sarajevo world premiere ‘Medium’ 3rg1y
Greek director’s film is adapted from novel by Giorgos Sibardis.
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Features
How Ukrainian producer Darya Bassel is steering an ambitious film slate against the backdrop of war 143n5w
Bassel’s outfit Moon Man is presenting Roman Bondarchuk’s The Editorial Office in CineLink’s Works In Progress section.
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“All killer, no filler”: Edinburgh film festival heads discuss 2023’s streamlined edition 4g2p1r
Kate Taylor and Tamara Van Strijthem discuss pulling the programme together in four months, and EIFF’s future.
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Ahead of his final edition, Roger Gibson reflects on building Chichester Film Festival into a regional UK powerhouse 255bn
”It’s all about enthusiam, stubborness and determination,” he says.
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How Danny and Michael Philippou brought their YouTube energy to ‘Talk To Me’: “There was beauty in the chaos” 4y3416
The Australian filmmaking twins turned down a studio deal and nailed a complex dog kissing scene to make their debut feature.
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Japanese director Junji Sakamoto talks risk-taking, manure men and his next project 6s2r2g
The auteur has been honoured at the New York Asian Film Festival (NYAFF).
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Louis Koo talks One Cool plans, ‘Warriors Of Future’ prequel and animation ambitions 1o6d5p
The Hong Kong star will receive the Screen International Extraordinary Star Asia Award for Exceptional Contribution to Asian Cinema at NYAFF.
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Where does BFI Distribution fit into the UK arthouse landscape? 124h3c
Stuart Brown explains how BFI Distribution works with international sales companies and other UK distributors.
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Takashi Shimizu, creator of ‘The Grudge’, talks working with boyband Generations on latest horror ‘Sana’ 5m1v6i
The horror receives its world premiere as the closing film of Bifan.
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“The essential element is for a movie to feel fresh”: Likely Story producer Anthony Bregman on how to achieve indie success 61101g
The US producer of ‘Eternal Sunshine Of The Spotless Mind’ and ‘Foxcatcher’ considers the future for indie films.
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Cannes award-winner Takamasa Oe on directing ‘Whale Bones’ after Oscar success of ‘Drive My Car’ 4f6r67
The film ombines magical realism with tech horror and received its world premiere at Bifan.
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Director Babak Jalali on subverting refugee stereotypes in his comedy drama ‘Fremont’ 1x7155
After successful US screenings at Sundance and SXSW, Fremont has its international premiere at Karlovy Vary.