Latest – Page 7 3p6x
- Reviews
‘God Is A Woman’: Venice Review 2z3r68
Panama’s indigenous Kuna fight to reclaim a documentary filmed in their community in 1975
- Reviews
‘Comandante’: Venice Review 3e6u51
Venice opens with this pointed dramatisation of a World War II story in which a Fascist submarine commander rescued the people he torpedoed
- Reviews
‘Vera’: Review 2jd1y
Italian socialite Vera Gemma plays a version of herself in Tizza Covi and Rainer Frimmel’s hybrid docudrama
- Reviews
‘Dirty Difficult Dangerous’: Hamburg Review et4e
Two refugees find love against the odds in modern Beirut
- Reviews
‘Trenque Lauquen’: San Sebastian Review 6853n
Laura Citarella’s two linked features search for a missing woman in the pampa who might not want to be found
- Reviews
‘When The Waves Are Gone’: Venice Review 61403e
Filipino director Lav Diaz takes direct aim at the Duterte regime with this tale of crime and corruption
- Reviews
‘The Hanging Sun’: Venice Review 2b3t47
UK/Italian Jo Nesbo adaptation from Sky closes out the 79th Venice Film Festival with a thud
- Reviews
‘Our Ties’: Venice Review 4x6u41
Roschdy Zem’s sixth feature, co-starring him and co-written with Maiwenn, competes at Venice
- Reviews
‘Clare’: Venice Review 684rr
The life and times of the founder of the Poor Clares, as written and directed by Susanna Nicchiarelli
- Reviews
‘The Listener’: Venice Review 6r6d4p
Tessa Thompson’s poised presence elevates Steve Buscemi’s intimate drama about a helpline volunteer
- Reviews
‘No Bears’: Venice Review 4e565f
Imprisoned Iranian filmmaker Jafar Panahi delivers a powerful statement of tenacity and defiance
- Reviews
‘Queens’: Venice Review 1o5c3h
Yasmine Benkiran’s tale of two women on the run from authorities through Morocco closes Venice Critics Week
- Reviews
‘Call Of God’: Venice Review 1m4o3z
Kim Ki-Duk’s posthumous final film fails to leave a lasting impression
- Reviews
‘Dry’: Venice Review 2o660
Paolo Virzi’s sprawling, inter-connected drama places a parched Rome in the middle of a three-year drought
- Reviews
‘Blonde’: Venice Review 6z6b1w
Andrew Dominik’s adaptation of Joyce Carol Oates’ fictional novel paints a voyeuristic portrait of Marilyn Monroe
- Reviews
‘The Damned Don’t Cry’: Venice Review 6d4472
A mother and son reside on the fringes of Moroccan society in Fyzal Boulifa’s impressive second feature
- Reviews
‘Beyond The Wall’: Venice Review 3b5ll
Iranian writer-director Vahid Jalilvand delivers a howl of political fury
- Reviews
‘The Matchmaker’: Venice Review 346p3m
Dilligent, focused and thought-provoking portrait of notorious British jihadist Tooba Gondal
- Reviews
‘Have You Seen This Woman?’: Venice Review 5v4e4n
Ksenija Marinkovic gives a committed performance in this existential psychodrama
- Reviews
‘The Son’: Venice Review 6ui36
Florian Zeller follows up ‘The Son’ with another family drama, starring Hugh Jackman and Vanessa Kirby