All Guest Comment articles 2h3e
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CommentGuest comment: “Why are so few Black people in positions of power in the arthouse film PR sector?” p4j29
Mia Farrell is a freelance film PR, working between the UK and US.
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Guest comment: Why smartphone filmmaking is here to stay 5o574
Adam Gee, co-director of the London International Smartphone Film Festival, on how smartphone filmmaking offers efficiency and diversity.
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Guest comment: Global Screen Fund will help UK talent export their films overseas, says Oliver Dowden 41287
Culture Secretary Oliver Dowden shares his thoughts on the UK’s Global Screen Fund (GSF), the first strand of which is launching next week.
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Guest comment: Use tax credit to promote greater diversity in the UK film industry 264q5t
The diversity of this year’s Bafta and Oscar nominations is welcome, but how does the UK industry make the change permanent?
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Guest comment: Force majeure clauses, coronavirus and the entertainment industry 4k512d
Guest columnists Marc H Simon and Rom Bar-Nissim of Fox Rothschild take a look at some implications for the entertainment industry.
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Comment: Why film festivals cannot afford to ignore young audiences 54o6r
New Horizons’ artistic director Marcin Pienkowski on how the festival reversed a trend to attract a new crowd.
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MPA Europe chief: seven suggestions for the new UK culture secretary 1g2063
Stan McCoy on the key agendas Matt Hancock should be looking into.
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BFI's Ben Roberts: how and why we're reforming the Film Fund 233413
Roberts details the changes to the BFI Film Fund, in his own words.
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How to navigate the defamation minefield of movie biopics 603j2q
Lee & Thompson associate solicitor Emma Teichmann reveals how filmmakers can avoid falling into a libel trap.
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Filming with drones: a legal guide 6ip2o
Sarah Lazarides from law firm Harbottle & Lewis on what you need to know before using a drone on a film shoot.
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How to stay profitable in the age of streaming 1f4j5x
GUEST COMMENT: Guillaume de Chalendar from Bank Leumi outlines revenue opportunities for producers in the modern market.
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Imaginarium CEO: Content remains king but filmmakers must think beyond 4t3r3b
Tony Orsten, CEO of VFX specialist Imaginarium Studios, whose credits include Dawn Of The Planet Of The Apes, explains why film-makers need to think beyond content to be successful.
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How 'Light Years' took the direct distribution route 19243o
Guest comment: How Light Years producer Samm Haillay strategised the release of Esther Campbell’s drama.
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Emmys epitomise US/UK special relationship (guest comment) 624l4r
Ahead of Sunday’s 68th Emmy Awards, The UK’s Consul-General in Los Angeles Chris O’Connor reflects on the strength of the special relationship as Brexit looms.
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Framestore CEO William Sargent looks to the future of film 4l6x5y
Films will soon exist in formats we can’t yet even imagine. Fundamental change will help meet the challenge, writes Framestore CEO and co-founder Sir William Sargent.
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Why are so many film producers getting into TV? 3o66k
COMMENT: Askandar Samad, partner in the Entertainment and Media Industry Group at law firm Reed Smith, considers the driving forces that are luring more UK film producers to TV.
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John McVay: "Producers stand to lose $9bn from DSM" m314o
COMMENT: A strong digital economy is in everyone’s interest but the Digital Single Market agenda risks leaving us poorer, says John McVay, CEO of UK independent producers body Pact.
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Cross-border access and the Digital Single Market: a poorer new landscape? 6h2r35
The Commission wants to make it easier for us to enjoy Europe’s rich cinematographic culture online, but its proposal may put that richness in jeopardy, argues Reed Smith film finance partner Michael Maxtone-Smith.
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Joanna Hogg re Gayle Griffiths 2c3o29
Filmmaker Joanna Hogg pays tribute to producer Gayle Griffiths, who died Oct 23 at the age of 49 after a battle with cancer. Griffths produced two of Hogg’s features, Archipelago and Exhibition.
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Caribbean in Cannes: paving the way for new voices b5z3h
GUEST BLOG: Nneka Luke, external relations director at the trinidad+tobago film festival, on why Cannes showed there are reasons to be cheerful in the Caribbean.
